Bernstein: Chichester Psalms - Bournemouth Symphony Orchestra & Marin Alsop

Bernstein: Chichester Psalms

Bournemouth Symphony Orchestra & Marin Alsop

  • Genre: Classical
  • Release Date: 2003-09-09
  • Explicitness: notExplicit
  • Country: USA
  • Track Count: 7

  • ℗ 2003 Naxos
USD 7.99 On itunes Buy on Amazon

Tracks

Title Artist Time
1
On the Waterfront - Symphonic Bournemouth Symphony Orchestra & Marin Alsop 19:21 USD Album Only
2
Chichester Psalms: I. Psalm 10 Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Elizabeth Franklin-Kitchen, Jeremy Budd, Marin Alsop, Paul Charrier, Thomas Kelly & Victoria Nayler 3:43 USD 0.99
3
Chichester Psalms: II. Psalm 2 Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Elizabeth Franklin-Kitchen, Jeremy Budd, Marin Alsop, Paul Charrier, Thomas Kelly & Victoria Nayler 6:07 USD 0.99
4
Chichester Psalms: III. Psalm Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Elizabeth Franklin-Kitchen, Jeremy Budd, Marin Alsop, Paul Charrier, Thomas Kelly & Victoria Nayler 8:19 USD 0.99
5
On the Town - Three Dance Epis Bournemouth Symphony Orchestra & Marin Alsop 2:00 USD 0.99
6
On the Town - Three Dance Epis Bournemouth Symphony Orchestra & Marin Alsop 3:28 USD 0.99
7
On the Town - Three Dance Epis Bournemouth Symphony Orchestra & Marin Alsop 5:05 USD 0.99

Reviews

  • In regard to Movement Two of the Chichester Psalms:

    4
    By roxie08
    I felt that, although overall an excellent recording, the boy solo was a tiny bit forced and pushed, taking the music out of context. The text translates to a famous Psalm, "The Lord is my shepherd, I shall not want, etc...," however, I felt more like he was saying "The Lord got me lost in the valley and now I'm annoyed." The tenors have great control of the high notes in the men's section but the intonation of the Bass entrance was a tiny bit sharp, more than likely from the excitement of line. The women's sections were beautiful, except for the lack of volume. It would have helped if the choir had taken every dynamic up a level just to be heard and understood over the orchestra. Clarity of text was also occasionally an issue. I have sung this piece and, understanding its treacherous moments (because I have DEFINITELY encountered them!), found this to be a decent handling of Bernstein's repertoire. I would recommend as a learning tool about dynamics, balance, and character of music for any music major.

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