Appalachian Gothic
5
By Jonathan Rimorin
These folk-songs from the deep black back country behind the trailer park tell mini-sagas of death, depravity, and other dire doings, sung by the gaunt baritone of Johnny Cash's ghost. A voyage through a ghost-ridden, dream-daubed landscape is promised from the get-go, by the first line of the first song, "The Forgotten Lake": "Come with me to the forgotten lake / Where covered wagons and the wings of missing planes / Float between black fish underneath the velvet waves / Strange lights fly across the rocky beach / Girls in white nightgowns wander barefoot in their sleep / And the veins of dreams wind in circles round their feet."
All the songs on this album boast a characteristic surealist imagery (written by Rennie Sparks), backed by slide guitar, banjo, horns, jazz kit, and acoustic guitar. Some of the songs have a rousing men's choir (actually baritone Brett Sparks' voice multi-tracked) singing in favor of a world frozen in ice. My favorite songs are "The Bottomless Hole," about a man who discovers a sinkhole behind his trailer and decides to plumb its depth, finding his apotheosis there; and "Far From Any Road," a mid-tempo Latin number that Lee Hazlewood and Nancy Sinatra would be proud to cover in Heaven.
If you like the Silver John stories of Manley Wade Wellman ("The Bottomless Hole" definitely owes a debt to his collection "Who's Afraid Of The Devil?"), then you will love the Handsome Family.